Home
—as hiking
1.
Though in theory night happens first to the sky,
when you are idling worn boots
in a pond tucked just below the summit,
when you are watching a beaver navigate
and chew, stroke and fell, when you
are watching this still pool, this toothed creature,
these winded trees, then night is a thing that happens
first behind your back. The sky thins
and sheens. Darkness rises
into a valley scattered with stars,
one of which you live in.
2.
I get as far as the rise edging the yard;
the trees behind whisper about jailbreaks, but
I sit and watch the bulk of dark
sliced by spill of yellow light, the window
making of the night an architecture,
his shadow patrolling the aquarium
the night creates. And overhead, the stars
3.
have done what I have done, spent the day
spinning and whirling beyond sight,
unhoused and absent—meaningless.
But now, the night complete, the stars and I
assemble in our usual places, shining, as always,
in a litany of fresh and ancient betrayals.
Huntley Meadows, May
Shadows angle
across sunsilvered wood—
the quiet scratch
of sneakers on the curve
of boardwalk,
gray snake, arch
of gray log, the ice
clear sky fallen—
tangled in pickerel rush
matting in a tepid breeze.
Salt filters upriver like
the ache of distance
coming, and then
already here. Our hands
hold artifacts—our separate
instruments—his
to bring them closer,
mine to hold them still.
In shining marshgrass spikes,
white bird—bentmetal
rustlegs on slivered
stickwood—spreads
inverse arch of rising
wings, and in that thrust,
the words have lost
their things. Referents
dissolve in early air.
Egret he says,
but that is not
what I hear.
Winter
1.
It was winter; that much I remember.
The light—it came from everywhere
except maybe the sky.
What the sky spat down into the woods was
sharp—each piece of dust tucked,
enfolded in the crystal.
How the snow or rain requires
that desert heart, or nothing grows
nothing falls.
2.
It was not winter. If there had been
snow, I would have missed
the bones—they would have been
invisible in all that hard white light.
3.
It must have been winter or the opening—
low and on the wrist—would have bled.
Cold like ether, like a cudgel
is one type of amputation. I chose
a long splintered bone—head
like a fist, the entrywound prepared
the thrust, the way it fit—clean like crystal.
But its companions on the ground twitched
closer to order, closer to articulation,
closer to meaning.
4.
If it was not winter
where did all the light arise?
Why does every single tree resemble bones?
Why am I so cold?
5.
In this way I acquired a phantom limb— No
Season? —No Beloved? —No. I merely
reinforced the prison. Bone to bone I wed
myself and when I wake alone, lost
in the trees, the tangled sky, lost
in the fall of fractal edged flakes
I give the bones permission to ache
for the ones separated, the ones
I left. My hands splay and twitch
for remembered, absent flesh. In my chest
the message grows confused and I cannot tell
what hurts: the cage I left,
the one I carry, or my idle bat-hung heart.
Maps
I buy by the dozen, stack next
to tea bags, dogfood, next to
nights of no sleep when,
unfurling a new one, I mark
the places I’ve lived and draw—
a westward, erratic line
like a live heart stuttering
into fibrillation; the line
from most north—ragged
Ws that doppler away
from winter, season of
my belonging; the random
lines that almost assemble
into image, carnage:
the one that draws the witch,
the one like hands broken
from a body, the great fish,
worn hills, stalled flock
of birds at scatter, water
in a riffle, a rifle, a gun—
I’m leaving again.
Leslie Harrison has poems and prose published or forthcoming in Ninth Letter, POOL, Gulf Coast, Poetry, Southwest Review, and elsewhere. Her book manuscript, Displacement, has been selected by Eavan Boland as the 2008 Katherine Nason Bakeless Prize winner in poetry and will be published in spring 2009 by Houghton/Mifflin Harcourt.
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