The Body Itself the Narrator of the Message
In the days of my healing, they sent a mystic,
carrying the scent of incense on his skin.
His tunic whispered well-washed spells; his hands
the beaks of two fast birds that weaned me
from the machines one needle at a time, ungentle
with the work. Red skin flared beneath his fingers
as he swiped at the adhesive. He lacked conviction,
offered little consolation beyond a raised brow.
Yet, I have begun to see the magic of his work.
When the night nurse slips under the charm
of the late hour, I sneak past her white nest
to enter the closest whitecoat’s den. In the dim,
I touch his photographs, his bronze and silver
paperweights, the luxury of his leather chair. I leave
my offerings, a fingerprint placed over his name,
threads from the loose noose of my collar, a cuticle
torn with my teeth, the faintest drop of blood
still wet at the edge, proof of my newly mixed life.
I make a small prayer for early release, for the day
the tests no longer detect any trace of donor or of fever.
Health, an Expanded Definition
Sound condition of the body
as in able to lift the wet laundry, to pin
the full-grown heft of it to the line;
as in legs that could brace for & bear
the weight of any ordinary burden;
as in the will to scab, to seal over
the minor wounds rather than to fester.
Freedom from disease
wherein the body remains temperate,
modulating the heating, the cooling airs;
wherein the throat refuses the hoarse voice
of swollen glands & fever flush;
wherein joints prevail, smooth movers
well-oiled, the stiff seizing curtailed.
Vim & vigor
the three-pronged pulse, a steady study
under normal conditions, fit to rear up,
to race when stirred by the beauty
of another body, capable of calming
to the languid slur of well-earned sleep;
a zealous mass of cells at the ready.
Spiritual or moral soundness
what was feared given up or lost
in the inertia, that loosening of the spine;
what will be a crucial element of the cure,
the reason for the mystery & the mystics;
what the body bends to pray for,
daily oblations to a tight-lipped god.
Sandy Longhorn is the author of Blood Almanac (Anhinga Press), which won the Anhinga Prize for Poetry. New poems are forthcoming or have appeared recently in 32 Poems, The Cincinnati Review, Crazyhorse, North American Review, Waccamaw, and elsewhere. Longhorn teaches at Pulaski Technical College, runs the Big Rock Reading Series, is an Arkansas Arts Council fellow, and blogs at Myself the only Kangaroo among the Beauty.
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