The True Meaning of The True Meaning
I propose a toast to hilarity.
It yips like a scrawny little dog.
A self-identified hippie eats that toast.
Far out, man, he says. Not far enough,
says the honey that made the bee
that the hippie forgot. It stung
when he laughed. I offered
an intervention of smokeable
expressions on invisible ink.
Meanwhile, God on the sidelines
warming up. Meanwhile,
the toasty dog whistles and sings.
The bee died. Someone had to. The hippie
got lost searching for the punch line.
No one called him hippie anymore.
Rudy was his name, and he was indeed
an asshole. It was all written inside
an extra large fortune cookie. It was toasty
in there, and I could write anything. I carved
the words on grains of rice. Steady work,
decent pay, but the checks were illegible.
The World’s Greatest Blanket
soft as the there there of a parent’s
consolation. Large enough
to spread over a particularly particular
naked body. Small enough
to be kicked off in the buck and surge.
Light enough for liftoff
of dreams and moist breath and farts
and God’s quiet hovering.
Thick enough to withstand
the snags of small lies
and enormous betrayals.
Sewn by the hands of St. Virgin
and St. Whore. Or woven.
Intertwined in a handed-down
story ending with a kiss.
There. And there.
Double Nickel
At 55, smash your mirrors.
Shred your maps.
Whittle your clock hands.
At 55, you qualify for discounts
just when you’re ready
to pay full price. At 55, you begin
spiraling through the rolodex
of memory, tip of the tongue bitten
off, swallowed.
At 55, the current obscures into eddies.
At 55, you generalize, you round off,
you crack the aquarium of your dreams
and water spills, ink runs, the dog licks up blood
as it has always done, despite
the tricks you taught it.
Anger Burns Like Hell
Kindness falls away
like cheap special effects
and leave you standing
on a high patch of evil large enough
for self-immolation
like it was an option at a spa
for the angry
the prerecorded voice of betrayal
skipping over the melted vinyl
of your one good suit
and you open your mouth to express
the sizzle of shame, but God only sighs
and points you to the back
of the line, where infinity ends.
Americana Tune
If this was a song, the echo of objects
in dusky light would accompany
us, low-fi. Pale flesh lit against gray.
Plaintive wails about love and love-
gone circling like a pedal-powered
disco ball. Clapping hands
to the sincere hymnal.
If this was a song,
it’d be hollow-bodied strum with callous
on the frets, and a little tongue slide.
Warm-cloud harmonica haze. Rusty hinge.
Twinge. Old lick-stamp. Fresh tang of sweat
in every crease and fold. Oh, uuuoooooh.
Oh, uuuoooh, uuuuuoooooh. And neither
God’s name nor mine could ruin it.
Jim Daniels’s latest books are Rowing Inland (Wayne State University Press), Apology to the Moon (BatCat Press), Eight Mile High, stories )Michigan State University Press), and Birth Marks, poems. He is the writer/producer of a number of short films, including The End of Blessings. Daniels is the Thomas Stockham Baker University Professor at Carnegie Mellon University.
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