Dear P.
There will be a circle of girls there will be
many circles of girls who turn into circles of
women there will be many parties many grills with
corn and meat losing its red center there will
also be a circle of crows who circle the circle of
boars who circle the circle of grass work
their way into its center there will be a circle
of gnats who circle the dirty boars because
there are awards for grouping easier than
absence easier than working against easier than
separating water with curtains good things are
often in pieces are backing away from
doorways are alone the heart is alone in
our bodies because it must be to love
Dear P.
Let her let them collect others let them hurl depth
over the balcony in the meantime it’s not about
purpose but about the person buy stackables and
store your selves in them let everyone in though
don’t pull the curtains closed or snap the buttons shut
the girls might try to come in might try to throw
you out woe you the boys might lure you out
please don’t kowtow to them the wars aren’t
real there are three ways to still everyone
with love don’t eat the meat of your enemies
because it tastes just like your tongue don’t meet
them in the middle just jump in the puddle
together and fill in the white space the wind is
fine with being homeless but we are not the wind
Dear P.
One night the power in your house will
disappear apparitions will appear your
appetite will disappear you will be left with
only dark and grey ghosts who know you
more than anyone do not light a candle or find
a flashlight do not try and shape the pain do
not find any lights that cut darkness into pieces
let night pile up there is peace in darkness there are
no loud speakers in darkness all tears are equal in
darkness underneath the coat of blinding night
is truth and the difference between truth and
everything else is that you can see everything else
don’t worry everything you reluctantly give me
you will eventually get back
Victoria Chang's fourth book of poems, is Barbie Chang, from Copper Canyon Press. Her prior book, The Boss (McSweeney’s Poetry Series, 2013), won the PEN Center USA Literary Award and a California Book Award. Other books are Salvinia Molesta and Circle. Chang lives in Southern California and teaches at Chapman University and Orange County School of the Arts. You can find her at www.victoriachangpoet.com
Barbie Chang Can’t Stop Watching
Barbie Chang can’t stop watching
the Ellen Pao trial
while the rest of the world wonders
about a plane crash in
the Alps helping Ellen Pao is not an
option Barbie Chang
opted out but never really severed
ties with the people in
the office she kept quiet because by
speaking she would
become a victim something projected
upon like the canvas
that paint is thrown on she quietly
packed her bag and
pulled it through the narrow door some
say what a whore Ellen
Pao was to fall in love with a man in the
office doesn’t she know
that men like to take off their clothes
extend their tongues
to see whose body it will run on some
thought Ellen Pao was a
cyst in the office made lists in the office
of all the wrong things
someone made a poll about her did she
or didn’t she was she or
wasn’t she always the same binary argument
racism or incompetence is
there a third possibility that when we
have seen something so
many times we no longer recognize it
as injustice our heads
are always only one foot away from
the man’s head in
the other hotel room but we don’t notice
because we can’t see him
around an empty office building dead
birds lie in the grass
new ones each day hit the glass each
face the same
expression forever frozen in its own
form like a stamp
Barbie Chang’s Mother Calls
Barbie Chang’s mother calls her to
tell her about the
oxygen machine that outfoxes her
father he can’t figure
out how to turn it on there’s a whole
generation of people
who care about deer porn not form her
dog only cares about the
deer horn she gave him yesterday Barbie
Chang’s father who bothers
with everyone’s business doesn’t know
what Bisquick is someone
wrote a book of poems about Kanye
West there are still
old poets looking for the best new young
poets who are all hornets
around the same old nest Barbie Chang
knows she lives an
America that most people don’t care
about on most days
she can’t distinguish between being a
token and racism she
either feels like a token or is experiencing
racism a token needs to be
acted upon by a subject but the same is
true of racism does that
mean her whole life is an object as a
shadow of someone
else on some days she has feeling in
her lungs tries her
mother’s oxygen machine the O2 owes
her nothing it goes
through her body breathing for a
shadow is just a hobby
Mr. Darcy Grabs
Mr. Darcy grabs Barbie Chang’s hand
one that has a loop
and can be tugged like a leash she wishes
his hand were a special
hand a hand she has been trying to
touch for years but
his hand has no breadth or texture
fingers too big to text
just a hand that only knows one
woman’s upholstery
its fabric and stuffing if Barbie Chang
unscrews his hand
and replaces it with an ugly man’s
hand would she still
want to grab it her gasp comes out as
an X-Ray of some other
woman some imposter some possible
maybe her separation
from other women only makes her
see her connection to
them maybe she desires Mr. Darcy
because he has never
been captured on film because he
has no footsteps
maybe he was right wing all along but
if she knew that would
she give the ring back the phone rings
every day with men
trying to sell her solar panels don’t
they know not
everything that burns should be
captured and sold
Barbie Chang’s Daughter
Barbie Chang’s daughter befriends
the new girl at school
but before they can form a bond the
new girl’s mom tells
Barbie Chang that her own daughter
should not tie herself
down and drown too fast and in one
week the new girl walks
past Barbie Chang’s daughter no longer
talks to her kind the mom
works hard to send cards to the Circle
one by one she stars
their names because they are free to
star names free to have
stars next to their names Barbie Chang
no longer can play dead
because she remembers the moment
she realized that lying
on the cement and looking at the sky
while following a body in
and out of buildings was not ideal the
moment she realized that
she is not what others see that she is
not what others name her
would we name a deer something else
if it could see the ocean
would the deer even name itself a deer
Barbie Chang asks her
daughter why she no longer plays with
the new girl she says
only in her mind Barbie Chang can’t
help but mind
can’t help but dislike the Circle’s children
with their Circle friends
how does she stop the end from
beginning again
Victoria Chang’s fourth book of poems, Barbie Chang, is forthcoming from Copper Canyon Press. Her prior book, The Boss (McSweeney’s Poetry Series, 2013), won the PEN Center USA Literary Award and a California Book Award. Other books are Salvinia Molesta and Circle. Chang lives in Southern California and teaches at Chapman University and Orange County School of the Arts. You can find her at www.victoriachangpoet.com
Welcome to Diode 10.1!
Law, Jeff and I want to thank you, humbly and sincerely, for a wonderful decade, and to invite you to celebrations and events that will be happening off the page.
Come visit us at AWP. We'll be at tables 219T & 220T. We'll have tons of swag, and we'll be launching five new titles from Diode Editions.
Join us for our 10th Anniversary Reading & Reception:
ARTS CLUB OF WASHINGTON
2017 I St NW,
February 9th
6:00–8:00
Free Food (prepared by Chef Ken Kievit of the Arts Club)
Cash Bar
Kaveh Akbar
Remica Bingham-Risher
Catherine Pierce
Heather Lang
Peter Murphy
Michelle Bitting
Vandana Khanna
Anders Carlson-Wee
Tina Schumann
Paula Cisewski
Paisley Rekdal
Kai Carlson-Wee
Seema Yasmin
Shelley Wong
And for our joint reading with BOAAT PRESS, Octopus Books, and Gramma Poetry!
With live music from Jackson Pines
Friday, February 10 at 7 PM–11 PM EST
Bloombars
3222 11th St. NW
Meg Freitag
Stephanie Schlaifer
Jeremy Allan Hawkins
Amy Lawless
James Gendron
Noor Hindi
JP Grasser
George Abraham
Christine Shan Shan Hou
Stacey Tran
Sarah Galvin
And finally, please come by for our AWP on-site reading:
Title: Diode Poetry Journal's 10th Anniversary Reading
Number: R208
Date/Time: 1:30pm–2:45pm on Thursday February 9, 2017
Location: Supreme Court, Marriott Marquis, Meeting Level Four
Victoria Chang
T.R. Hummer
Andrea Cohen
sam sax
George Abraham
Hala Alyan
E. Kristin Anderson
Lisa Marie Brodsky
Michael Broek
Victoria Chang
Gerald L. Coleman
Darren C. Demaree
Chelsea Dingman
Jennifer Kwon Dobbs
Susan Elbe
Fox Frazier-Foley
Ann Fisher-Wirth
Jeannine Hall Gailey
John Gallaher
Sandy Gingras
Melissa Ginsburg
Rae Gouirand
Tanya Grae
Peter Grandbois
Megan Grumbling
Carolyn Guinzio
Kathleen Hellen
Bob Hicok
Brandon Krieg
Ed Bok Lee
Sue Fagalde Lick
Amy & Doug McNamara
Eman Makki
Diane K. Martin
Rusty Morrison
Rina Nilooban
Brianna Noll
Wendy C. Ortiz
Danielle Pafunda
Alison Pelegrin
Emily Pérez
Donald Platt
Susan Rich
Michael Robins
Lee Ann Roripaugh
Nomi Stone
Susan Terris
Terrell Jamal Terry
Ellen Doré Watson
Diode Editions Feature
2017 Full-length Poetry Books
Starlight & Error — Remica Bingam-Risher
quitter — Paula Cisewski
2017 Chapbooks
For Filthy Women Who Worry About Disappointing God — Seema Yasmin
Rare Birds — Shelley Wong
Requiem: A Patrimony of Fugues — Tina Schumann
Interview
Diode Interviews George Abraham
Interview with Patricia Colleen Murphy by Heather Lang
Interview: Dana Levin and Amy Pickworth discuss Banana Palace
Review: Look by Solmaz Sharif (Graywolf Press, 2016) by Emilia Phillips
Review: Love and Loss in Exile: Zeina Hashem Beck’s 3arabi Song (Rattle, 2016) by Vivian Wagner
From Qatar
Sandbars — Doha, 2007 (Excerpt from A Sibling Romance)